Chinese Qing dynasty rounded diamond form four-footed Straits porcelain narcissus dish decorated on the sides in underglaze blue on a white ground with four “shuangxi” symbols (representing double-happiness and wedded bliss) surrounded by a stylized pattern of pencil style scrolling sweet pea vines (symbolizing “many children”). The undecorated interior was intended to hold pebbles or dirt in which plants or bulbs could be grown. The flat rim holds a geometric band. 10” long x 8 1/8...

A collection of 390 individual woodblock prints on paper mounted in a custom made album from the collection of artist Graham Day. Size of album53x40cm Hand coloured example on cover. Prints from various periods. Can be viewed in central London and shipped Worldwide.

Four pages of a Burmese astrology manuscript. Black ink text and various colours describing constellations shown by white dots, on yellow dyed thick paper. Reverse with text. Overall size 58x42cm. Undated, estimated to be 19th century or earlier. Can be viewed in central London and shipped worldwide.

A small circular table likely made as a stand for an incense burner or suiban basin dating from the Muromachi era (late 14th to 16th century ) covered in black lacquer over which has been applied vermillion in the style known as Negoro. About the center a ring of wood grain is typical of the era. It is supported by three curling feet extending from a billowing diaper. The lacquer, originally black, has oxidized to a mellow chocolate color beneath. It is 29 cm (11-1/2 inches) diameter, 14.5...

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Wood. Late 20th century, Korea. approx. H 14 x 39 x 8 cm (5.51 x 15.35 x 3.14in).


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A lacquered cabinet for storing Tea accoutrements by Koyama Kogetsu enclosed in the original signed wooden box dated 1931 and titled Tsukiyama Maki-e Kikkyoku (Mon and Hills Maki-e Tea Cabinet). On the door deer stand on the edge of a glade, gold, lead and Raden (mother of pearl) trees with branches of gold and silver maki-e above. The door lifts off to reveal the silver disc of a full moon rising over evening hills. It is signed in gold Kogetsu. The cabinet is 36 x 28 x 39 cm (11 x 14 x 15-1...

Late Qing dynasty Guangxu period export ginger jar with lid decorated on the front in underglaze blue on a white porcelain ground with the three Star Gods (Fuxing, Luxing, and Shouxing) representing good fortune, prosperity, and long life. Shou holds the peach of immortality, Fu carries a child, and Lu holds a ruyi scepter. They are standing together in a landscape setting in front of a large tree. A stylized bamboo stalk is on the back. The lid holds a flower and bamboo at the edge and is ...

Superbly cast bronze belt hook with a finely detailed dragon head at its top with gold and silver eyes, ears and nose, and with gold and silver inlaid geometric designs on the rest of the body. A knob at the back for attachment to a belt. Nice reddish green age patina, partly encrusted. China, Warring States period. Height: 10.5 cm. Very good condition. Provenance: acquired in 1987 from a reputed Paris dealer specialising in Asian antiques. IMPORTANT NOTE: this unique object will be exported ...

Three attached large pages from a Burmese manuscript. Overall size 52x39 cm. Black and red ink on thick fibrous paper. Text on first leaf. Undated, estimated to be 19th century or earlier. Can be viewed in central London and shipped worldwide.

Nice circa 18t/19th century high fired terra cotta Akshobhya Buddha in bhumiparsa mudra and holding a vajra in his lap with traces of original blue, white and gold pigments. This piece appears to have been excavated and the head has been reattached. H: 11cm/4.2in and W: 7.5cm/3in.

Quirky jack wood kitchen vegetable cutting board. I acquired this in Sri Lanka but it could also be Tamil. Beautiful patina naturally smooth surface. . L: 46.5cm/17.9in and W: 29.5cm/11.6in, and H: 4.5cm/1.8in.

Beautiful, unopened, three paneled, semi antique, woman’s sarong from Flores Island (probably Ende), Indonesia. Circa 1950 +/-. All hand spun and woven cotton and natural dyes. Very soft and in perfect condition. The incorporation of indigo dyes is quite subtle giving it the depth. L: 142cm/56in and W: 158cm/60in. Free Shipping

Colorful serigraph print entitled "Hands of Compassion" by the artist Mayumi Oda (b. 1941). The Goddess Kannon, the Bodhisattva of compassion, stands on a blossoming lotus against a silver background. In her 8 hands she holds her magical attributes. This print is signed in pencil and numbered 25/50.
Mayumi is widely loved for her female empowering works, many of which are currently part of the permanent collections of the Museum of Modern Art, New York, Museum of Fine Arts, Boston, and...

Serigraph print entitled "Earthship" by the artist Mayumi Oda (b. 1941). Takarabune or "Treasure Ship" of Japanese folklore is usually piloted by the Seven Lucky Gods and laden with magical objects. Here, the ship is steered by Mother Earth who cradles our planet in her lap. The ship is brimming with plants and animals, the wondrous treasures of nature. This print is signed in gold pencil and numbered 60/100.
Mayumi is widely loved for her female empowering works, many of which are c...

A large serigraph print entitled “Rainbow Serpent” by the artist Mayumi Oda (b. 1941). A developing baby floats in a field of blue sky and sea while tethered by umbilical cord to the planet Earth. Out of the Earth springs a tree of life. Creatures of ocean and land are encompassed by two linked serpents. Printed in deep blue and gold ink. This print is signed in pencil and numbered 35/100.
Mayumi is widely loved for her female empowering works, many of which are currently part of...

Colorful serigraph print entitled "Dakini, the Sky Goer" by the artist Mayumi Oda (b. 1941). Dakini, broadly identified as a female spirit, goddess or demon in Hinduism and Buddhism. She is a fierce goddess and considered the embodiment of enlightened energy. This print is signed in pencil and numbered 26/45.
Mayumi is widely loved for her female empowering works, many of which are currently part of the permanent collections of the Museum of Modern Art, New York, Museum of Fine Arts,...

Octopus and Anchor. Painted with ink on paper. Signed Koho and sealed.

Some insignificant light marks, insignificant light crease and foxing are present on the both painting, insignificant light marks are present on the mounting, otherwise the piece is in very good vintage/antique condition with the age. It is accompanied by an aged paulownia wood storage box.

Painting: W12 1/4” x H51 1/8” (W31cm x H130cm)
Scroll: W16” x H76 3/4” (W40.5cmx H195cm)

Tokkuri (alccol bottle) made of hard porcelain. Mikawachi kilns. Japan early 19th century. The bottle has an unusually elegant, typically Japanese shape, it was created for the Japanese market and not for export. The porcelain, immaculately white, has a very fine grain similar to that of marble, which is typical of Hirado clay. A lake landscape decor subtly drowned in mist is painted in a luminous cobalt blue. The quality is superb, the technique is flawless and the drawing is artistically trace...