A classic Chinese Yuan dynasty Longquan celadon brush washer/ saucer. Dia. 12cm. Condition: no chip, no restore, in good condition as shown. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platforms, please inquire before ordering. Duration of shipment may take up to a month due to the pandemic.

Crackled green glass pools in the center of this humble tea bowl by Ezaki Issei enclosed in the original signed wooden box titled simply Chawan. The works of Issei personify the humble virtues of the tea ceremony. They are imbued with a sense of Musakui (Lack of intention), a bowl that has come to be, rather than a bowl that was created. It is 15.5 cm (6 inches) diameter, 5.5 cm (2-1/4 inches) tall and in excellent condition.
Ezaki Issei (also Esaki, 1918-1992) was born in Tokoname, bu...

Antique Indian miniature painting of Adharanishvara, the combination of the God Shiva and his consort Parvati in one body. The half male, half female represents the union of opposites, the universal principles: masculine, Purusha and feminine, Prakriti. In this painting, Parvati is easily identified by her beauty and crown. Shiva is identified by the snake the encircle both their neck, his tiger cloth, and his long hair which is secured on top of his head. As traditional, the couple...

Antique Indian miniature painting of Radha and Krishna in the garden. Best known for their love to each other, the God Krishna and his true love, the Goddess Radha are two of the most adored deities in Hinduism. While strolling the hills, Krishna often played his flute for the grazing cows. A young and beautiful gopi (caretaker of cows) heard his flute and the two fell in love. In this painting we see the young couple flanked on either side by two attendant girls. In the background is the...

Antique Indian painting of two men riding on the back of a camel. Beautiful detail work in their garments and hair. The quick gait of the camel is conveyed in it's wide steps and the backward motion of the tassels and drapery. Painted in gouache pigments on paper. Framed.

Age: 18th/ 19th century

Dimensions: Art: 9 3/8" high x 9 5/8" wide. Frame: 18 3/8" high x 18 3/8" wide.

Polychrome celadon ceramic four-lobed tray with two fish yôkai dressed in yukata, a light kimono worn in summer. The yôkai are supernatural creatures from Japanese folklore. Most of the ceramic is glazed, except for the brown skin of yôkai which has a matte finish.
Unidentified mark.

Japan - Taishô era (1912-1926)
Height: 1.2 in. (3.4 cm) - diameter: 6.3 in. (16.3 cm)

Okimono of a Chinese cabbage made in woodbox. The texture and veins have been delicately detailed. Native from China, it is an herbaceous plant of the Brassicaceae family. It is eaten in many ways in Asia: in soup, in salads, stir-fried, in ravioli of filled patties. Japon – Meiji era (1868-1912) Height: 2.4 in. (6.5 cm) – Diameter : 1.6 in. (4.5 cm)

Ivory okimono of a toad carrying an orchestra of five monkeys.
Four monkeys is playing instruments such as the shamisen (long-necked lute with three strings), the shime-daiko (small drum) and the flute. The fifth monkey is larger and is singing while holding a book in his left hand and plugging his ear with the other. They are wearing a jinbei, a summer outfit consisting of a short-sleeved jacket and shorts.

Japan - Meiji Era (1868-1912), late 19th or early 20th century...

Long suzuribako (calligraphy box) with nashiji lacquer background, plum tree decoration in a lake landscape in takamaki-e, kôrin maki-e and kirigane. The plum tree (ume), which blooms at the beginning of the year, announces spring. Its flower is a symbol of protection against demons. On the inner lid, decoration with seven flying birds near a coast with clouds. Pewter inlay on the nodes of the trees in the style of Ogata Kôrin.

The kôrin maki-e is a technique developed by Ogata K...

Ivory netsuke of a human skull.

Japon – Meiji era (1868-1912)
Height 1.2 in (3 cm) – length 1.4 in (3.5 cm) – width 1 in (2.5 cm)

Hishaku-gata style yatate in bronze with brown patina. The hishaku-gata style was developed at the beginning of the Edo era, in the 17th century. It is characterized by an ink compartment (sumi tsubo) in the shape of a ladle. Here it is decorated with a frog.
The frog (kaeru) is associated with luck and wealth. Kaeru means both "frog" and "coming home" in Japanese. This extension of meaning is due to the ability of the frog to return each year to the pond of its birth. A gong in the shape ...

Horn netsuke of an reclining ox.

In Japan, the ox (ushi) is the second sign of the zodiac. It is considered usefulness and willingness. Reclining, it is the emblem of Sugawara Michizane (845-903), a great scholar, minister of emperor Daigo (897-930) and statesman of the Heian period. Under the pressure of the Fujiwara family, he was driven into exile to the island of Kyûshû and he rode away upon a bull. Unfairly punished, his memory is rehabilitated after his death. He was deifie...

Namban style chest with a semi-cylindrical lid made of black lacquered wood (urushi) with gold lacquer (maki-e) and inlaid with mother-of-pearl (raden).
Decorated with three main bands of floral motifs, middle surrounded by vertical bands of mother-of-pearl inlaid lozenges and framed by the hanashippô pattern (overlapping circles forming petals).
On the lied, acer (momiji) and plum tree flowers (ume). On the front side, branches of citrus tree tachibana (Citrus tachibana), vine le...

Okimono sculpture in bronze of a crow perched on a tree stump in varnished wood. Its eyes are in shakudo.
In Japan, the crow (karasu) is a symbol of gratitude and family love. It is also considered as the divine messenger of good omen. The Kojiki (713) relates that the crow Yatagarasu guided the mythical founder of Japan, Emperor Jinmu (660-585 BC), on a military campaign to Yamato.

Signed under the crow within an oval cartouche 義光, Yoshimitsu.

Japan - Mei...