Antique Japanese Buddhist abbot's oxbow arm folding chair. Made of red and gilt lacquer hardwood, with seat made of leather. The backrest has gilt lacquered panels with geometric motif carvings and pierced lingzhi carving, the reverse of the backrest marked with a triple mokko-mon (family crest). The edges of the chair are decorated in metal plating incised with motifs of chrysanthemums.

Edo Age 19th century Dimensions: 32" L x 20" D x 37" H

Antique Chinese round jadeite plaque carving. With a freely-moving pierced jade center, surrounded by lingzhi mushroom motif carvings. The outermost exterior of the piece is carved with a pair of dragons or serpents touching snouts.

19th century Dimensions: 2" x 2" x 1/4" thick

A Song Dynasty Green Celadon plate. Note, there is a color difference in the glaze noticeable when viewing the various images. Some ware/scratches to glaze on inside of plate. Some warpage noticeable. Otherwise, piece is intact and generally in good condition. Diameter: 8+ inches

Special Blue and White, 19th Century snuff bottle with hunting scenes, without spoon and stopper lid/top. Cylindrical in shape and in overall good condition. No apparent chips or cracks.

light wood, white pigment, hands in praying gesture, collection number "AJP996" at the back of the head, min. dam., minor missing parts, fine cracks, breakages (right shoulder/leg), traces of insect caused damage (above all at the bottom of the base) H: 49 cm, H: 19,3 inch Provenance: Jean-Paul Agogue, Paris, France Zemanek Münster 80th Tribal Art Auction Lot 2 (2015)

Stemming from the philosophy of wabi-sabi—often described as the beauty found in the imperfection and transience of the world—cracks and repairs in a work of pottery are often seen as highlighting the history and importance of a ceramic object. Practitioners of tea in particular are fond of reminding us that works repaired with lacquer and gold such as the one featured here become more resilient and beautiful for having been damaged. In this case, the gold repairs undoubtedly enhance the bea...

Appearing to capture an ocean inside a tea bowl, this particular work has been given the very fitting poetic name “Nami” or wave. Masterfully crafted by veteran potter Hideo Torazawa, the inside is painted with a special glaze known as heki-yu—prized for its pure aquamarine character with accents of sapphire and azure depending on the light.

Born in Gifu prefecture in 1935, Hideo Torazawa has enjoyed a long and productive career as a potter and has mastered a number of diffic...

A lidded Japanese Imari porcelain vase, finely painted with landscape cartouches and Ho-o birds among brocade pattern and peonies. With 19th century French bronze mountings, the pedestal composed of four nicely modelled elephant heads and heart shaped bordure, which is repeating on the rim ring. Condition: fine, only cover inside with a tiny rim chip (see picture no. 8). Dimension: total height: 31.8 cm.

Antique Chinese Jade carving of a rhinoceros. The coloration is primarily white with orange brown inclusions. It is carved in a relaxed stance with expressive features.

Dates from the 18th/19th century.

Dimensions: 4.75" x 1.25" x 2.5" H

The is a small stoutly made cloisonne teapot.The piece shows better and the enamels are more glossy than what is see here in the close-up enlarged images. The condition is good but there is some enamel damage on the lid that can be seen in the images and the bronze rim of the pot is flattened a bit. The piece is 3 1/2 inches tall and about 4 inches across at the spout. Like many of Namikawa Yasuyuki pieces. the ground color is black.

Seated on a lotus throne, guarded by two attendants. On the back of the stand there is an inscription : This is a statue (or carving) or Kwanyin, for Mr. Wang (??)'s wife, Mrs. Chao (??). 2nd day, 4th month Daoguang 10th year (1830 A.D.). Condition: usual age wear, loss of gilding, the ribbon from the crown at the right side is missing. H. 23 cm.

A bronze vase finely cast in archaic Chinese style with twin elephant head handles and very unusually decorated with 16th Century Turkish Iznik/ Kutahya style 'Saza' leaves in red, blue, green and black enamels. The Made in Japan mark to the base indicates that this item was made in Japan (for export) post 1890. Condition: excellent - there are minor losses to the enamels but no damages and no repairs or restoration. 24cm (9.5 inches) high. For additional pictures, please view 1tem #163...

THREE LASTS

Lasts for 'Yuki-gutsu' as traditional Japanese snow boots made of straw.
Rustic and beautiful. Well-used and warmhearted 'mingei' tools as seen.

Large: approx. L 48cm (18.89in), W 10cm (3.93in)
Small: approx. L 25cm (9.84in), W 10cm (3.93in)


selected by Jinta




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A Censor painted with fruit pattern, early Ming Dynasty Cizhou ware. Condition with a crack to the ear handle, otherwise is perfect. Height:

Early vintage albumen print of the two large bronze Kannons near the Senso-ji Temple in Asakusa, Tokyo, with children. Numbered in Japanese "277". Mounted on coeval cardboard. Condition: fine, minimally faded, left border of photo with a small loss. Dimension: photo: 21.4 cm x 27.4 cm, cardboard: 34.8 cm x 43.9 cm.

Chinese 18th Century bronze censer. The base cast with a sixteen-character inscription incorporating an apocryphal Xuande date, reading Da Ming Xuande wunian Jiandu Gongbu guanchen Wu Bangzuo zao (Made by Wu Bangzuo, supervisor of the Ministry of Works, in the 5th year of Xuande of the Great Ming). 16,5 cm diameter.2048 gram weight. Censer has smooth dent (please see on the picture) No crack or repair. original patina.

Bamboo brush pot with two Cranes sitting on a pine tree. Background has a Sage standing on a small mountain. Age: Qing- Early 19th century. Size: 14cm. height- 10cm. width. Condition: No repairs.

A heavy six-sided porcelain deep bowl decorated on the outside with famille rose enamels depicting ladies and boys in a garden landscape. The base bears the six character seal mark ( painted in iron red) of the Tongzhi emperor (1862-1874). Condition: there are enamel losses to the turquoise glazed interior: no losses to the famille rose enamels: no chips or cracks to the porcelain body and no restoration. 21 cm (8.5 inches) across; 9 cm (3.6 inches) high.